- < back
- A Place to Bury Strangers
- Arbouretum
- The Beanstalk Library
- The Big Sleep
- bottles/cans
- Casper and the Cookies
- Cat Power and Dirty Delta Blues
- The Childballads
- Dirty on Purpose
- Dragons of Zynth
- Drunken Sufis
- The Exit
- Exit Clov
- Foreign Islands
- Greenland
- Hallelujah the Hills
- Hello Society
- iLiKETRAiNS
- Julie Ocean
- Metropolitan
- Pela
- Kris Racer
- Sanawon
- The Silent Years
- Slaraffenland
- So Many Dynamos
- Southeast Engine
- Spouse
- Stellastarr*
- The Subjects
- The Teeth
- Telograph
- These United States
- Time of Orchids
- Vandaveer
- Via Audio
- Craig Wedren
- ... and more TBA ...
|
The Silent Years
Like most groups influenced by Radiohead, the Silent Years try to make atmosphere another instrument. The liners for the Detroit-area quartet's full-length debut note six, 10 and 14 instruments for each member — things like shruti boxes and space echo appearing alongside the usual complement of guitars, bass, drums and keys. But while Radiohead often uses technology and effects to create claustrophobia, Silent Years believe in better living through sound — odd noises and soft bumps in the night course through songs such as "No Secrets," "Someone to Keep Us Warm" and "Devil Got My Woman," and Josh Epstein's occasional vocal resemblance to Jeff Buckley only makes them even more pleasantly disorienting. (Cryptic, ear-catching lyrical turns complete the picture.) |
Someday |